With its latest Bee de Chaumet High Jewelry set, Chaumet is introducing traceable gold to High Jewelry for the first time. Crafted entirely from 100% traceable, responsibly sourced gold, the collection reflects the Maison’s ambition to combine exceptional craftsmanship with greater transparency in the sourcing of its precious materials. The collection builds on the first Bee pendant introduced in 2025.

Tommy Hilfiger has announced actor Lucien Laviscount as the face of its Fall Winter 2026 Watch and Jewelry campaign, launching globally in September.

Following previous campaigns and his starring role in Spring 2026, Laviscount returns to explore New York through his own perspective, reflecting the brand’s connection to voices across fashion, art, music, entertainment and sport.

New Men’s Watches

The men’s collection updates classic American styles with modern details. The new Hampton stands out with an all-black finish, sculptural design and tachymeter bezel, alongside 5 ATM water resistance, a 24-hour display and date function.

The Bryant offers a slimmer, dress-watch-inspired profile with clean lines and understated sophistication.

Fresh Styles for Women

The women’s collection introduces refined shapes and signature detailing. The Mia reinterprets the classic tank watch with a square case, available with either a leather strap or metal bracelet. The hero Mia 24mm Two-Tone features a silver-white sunray dial, Roman numeral indexes and a stainless steel and gold-plated bracelet.

The new Abby draws inspiration from vintage jewelry watches, pairing crystal accents with an elegant bracelet and delicate 22mm case.

After 15 years of building a brand around outsiders, troublemakers and a touch of irreverence, MOTHER has opened its first standalone flagship store in Beverly Hills.

Located at 351 N. Canon Drive, the 3,850-square-foot space, nicknamed “The Big Boy,” is designed to feel less like a traditional retail store and more like a California home, glamorous clubhouse and cabinet of curiosities combined.

MOTHER Co-Founder and Creative Director Tim Kaeding describes the space as feeling like “the kind of house you would have wanted to hang out in during your childhood.”

A Space Built for Community

At the center of the flagship is a dramatic conversation pit, created as a social hub where visitors can gather, connect and spend time.

The store also features the MOTHER café, serving coffee, matcha and tea loaves, alongside custom embroidery services and exclusive merchandise available only at the Beverly Hills location.

More Than a Fashion Store

The Beverly Hills flagship reflects MOTHER’s focus on fashion, culture and community, giving customers a way to experience the brand beyond its clothing.

“We wanted a place where our community could come together, hang out and experience the brand beyond the product,” said Becker. “Beverly Hills felt like the perfect place to make that happen.”

Becker added that MOTHER has always been a storytelling brand, and the new flagship marks the first opportunity to invite customers “inside the story.”

Kingpins New York took over Pier 36 / Basketball City on July 22–23, bringing together the brands, mills, manufacturers and designers shaping the future of denim.

The event welcomed a strong mix of returning attendees and new companies, reinforcing Kingpins’ role as a key meeting point for the global denim industry.

Kingpins CEO Vivian Wang described the event as more of a “reunion” than a traditional trade show, highlighting the importance of face-to-face conversations and collaboration within the denim community.

More Than 70 Exhibitors and Two Mini Shows

Despite severe thunderstorms causing travel delays across the US, all exhibitors made it to the event. The show featured 71 booths and two specialist mini shows.

-Jeanius Hub showcased denim innovation from Lab Denim, Make the Dot, Unspun and WOPTAG.

-Made in Japan highlighted craftsmanship and precision from Ideablue, ICE, Japan Delivery Service and Rainbow Textiles.

Denim Meets Art and Innovation

Three standout installations transformed the show floor into an interactive creative space.

Anniversary d.d.p. by Andrew Berul recreated the artist’s studio environment, focusing on ritual, isolation and creative practice.

Camo For Peace, presented by Tonello and Transnomadica, reworked vintage camouflage garments from an archive of nearly 15,000 pieces. Garments were repaired, redyed and given new life using Tonello’s finishing technology.

148 Lab, Cocinado en Medellín explored early-2000s DIY denim culture through an interactive “denim kitchen,” culminating in a collaborative artwork destined for auction.

Sustainability, Emerging Designers and Community

Kingpins New York also placed a strong focus on sustainability and emerging talent.

The Community Tapestry, created by Sarab NYC’s Mahmoud the Weaver, transformed textile waste from 10 denim exhibitors into one-of-a-kind handwoven pieces. Half of all sales supported FABSCRAP NYC.

The Future Denim Makers Lab, presented by Oak & Acorn with Marist University and Artmill, challenged emerging designers to reinvent the Signature Jumpsuit as a future interpretation of American workwear.

The Lildenim Styling Session brought together four independent New York labels — General Experiment, Cleioner, Gekka and Greco — to demonstrate the potential of creative collaboration.

Celebrating Denim’s Legacy

The event also honoured Adriano Goldschmied, a major figure in the denim industry. An installation curated by Christine Rucci, together with Glenda and Marta Goldschmied, celebrated his life, influence and contribution to denim.

A Look at the Future of Denim

Kingpins New York 2026 highlighted where denim is heading: innovation, sustainability, craftsmanship, collaboration and creative experimentation. With established global brands alongside emerging designers, mills and makers, the event demonstrated that the future of denim is being shaped through both new technology and strong industry connections.

Modefabriek B.V. is launching a new B2B fashion event in Frankfurt in February 2027, creating a fresh platform where commercial fashion brands and retailers can connect, build valuable relationships, and do business.

With more than 30 years of experience bringing together fashion brands and retailers, Modefabriek B.V. is developing an entirely new concept designed specifically for commercial fashion brands from the Netherlands, Germany, and across Europe.

A New Opportunity for Fashion Brands in Germany

Germany is one of Europe’s largest fashion markets, and Modefabriek B.V. sees a clear opportunity to create a carefully curated event where the right brands meet the right retailers.

Rather than focusing on scale, the new platform is built around quality connections. The goal is to provide brands with a strong commercial gateway into the German market while helping retailers discover collections that genuinely match their customers and positioning.

A Unique Fashion Event in Frankfurt

The inaugural edition will take place at Fredenhagen, near Frankfurt am Main, a venue that perfectly reflects the event’s intimate, personal, and business-focused atmosphere. It is a completely new platform with its own identity, concept, and brand, created specifically for today’s commercial fashion market.

Every participating brand will be carefully selected based on its market positioning, while retailers will be invited according to clearly defined profiles. This curated approach ensures that every meeting has real commercial value and creates opportunities for long-term partnerships.

Creating Meaningful Business Connections

The ambition is to establish a new meeting place in Germany where brands can showcase their latest collections, retailers can discover relevant labels, and both sides can engage in meaningful conversations that lead to successful business relationships.

“Our main goal is to create a strong platform for brands looking to enter or expand in the German market, while giving German retailers access to new and relevant brands. The right match is at the heart of what we are doing. We don’t need to become the biggest. We want to make sure that the brands participating meet the retailers who are the right fit for them.- Rick van Rijthoven, CEO of Modefabriek B.V.

Limited Participation

As the event will take place at Fredenhagen, the number of exhibition spaces is intentionally limited. Brands interested in joining the first edition are encouraged to register their interest early.

CIFF Copenhagen wrapped its 67th edition this week on a restrained note. The show moved its dates forward this season, opening on a Monday and running through Wednesday. Despite a first morning rush, Monday already was slow.

One could blame the day of the week. WeAr asked several brands directly instead, and the answer kept coming back the same: the dates don’t match what the market needs right now.

A show built around a Scandinavian summer

CIFF has run in August for decades, timed around Scandinavia’s summer holiday, which in Denmark alone stretches across the whole of July. It used to be a mostly local show serving Scandinavian buyers, with the occasional international guest, often flown in from the US or Asia by the organisers themselves. Europeans showed up from time to time to buy, mostly to approach the big names: DK Company and Bestseller Group, the former with a permanent, sizeable presence at Bella Center.

When Premium Exhibition in Germany weakened and subsequently closed, the industry turned to CIFF to pick up the difference: exhibitors looking for a new home, and German buyers left without a womenswear show of their own to draw inspiration from. That’s what pushed CIFF’s importance up over the past few years.

The show itself hasn’t changed much in its format, whatever the current messaging suggests. Which raises the real question: is this enough to build an international lead, or does CIFF stay a Scandinavian show with few international guests?

Walking in through an empty pool

This edition greeted visitors with a public swimming pool, or something built to look like one. Showers and towels lined the entrance aisle, which ran through a replica pool, empty, with ladders reaching up to nothing. “Do not dive” signs everywhere.

Maybe it nodded to CIFF’s tie-up with Miami Swim Week, where resortwear brands showed, the segment itself seemed as empty as the pool at the entrance when visited. Pitti had already run with “pool” as its own summer theme, so maybe the two shows compared notes. Either way, some visitors expected an actual pool and were a little let down, chlorine smell aside.

It’s an odd opener for a show chasing a premium feel. It’s also, intentionally or not, a solid metaphor for what followed over the next two days: little traffic, and reaching for something out of grasp.

The overall traffic

Traffic thinned fast after the first morning. Tuesday was slightly more but people were still hoping Wednesday morning for the big rush. Some German and Austrian buyers showed up, mostly smaller accounts and Scandinavian-style boutiques. A handful of Italians came too, trading Italy’s August heat for Nordic inspiration.

Some of that is just a big venue swallowing a normal crowd. But it wasn’t always this way.

A quieter village, and a curation gap

CIFF Village, usually fully booked, had empty stalls this time in prime location, a first. The small, sharply creative designers who used to fill the entrance halls, the ones editorial visitors and specialty buyers came looking for, were largely missing too. For a buyer hunting what’s next rather than what’s already proven, there wasn’t much to find this season.

Not everything fell flat. The show’s own events programme, talks and evening gatherings among them, still pulled a crowd even as the floor traffic thinned.

Support versus leadership

Show leadership pointed to last season’s collaboration with 10 Corso Como, which wasn’t repeated this season, as proof CIFF can carry weight beyond Scandinavia. It’s also a retail collaboration in a familiar pattern: CIFF has run similar tie-ups before, with Harvey Nichols or Beams.

CIFF’s pop-up showrooms at Pitti Uomo and now in Paris are also hailed as saviours for the brand name. But given that they showcase a majority, if not only, Scandinavian brands, they feel more like a support programme helping Scandinavian brands get in front of other markets than a satellite extension of the show itself. Useful, worth having, but a different ambition than becoming Europe’s leading show.

Mandatory: a quiet floor, careful curation

A short distance away, Mandatory ran its own edition in Øksnehallen, the meatpacking-district hall it has called home since launching. The curation held up: creativity was visible across menswear, womenswear and accessories, and Swiss label Guapi stood out this season.

Traffic was slow here too. But Mandatory is building around something other than footfall. One of the organisers runs guided tours through the show for select buyers, and exhibitors get buyer lists in advance so they can invite the right people directly rather than hope they wander by.

The hospitality does real work here: meals and exhibitor events run throughout the days. It’s what brings exhibitors back season after season, because it changes the cost-to-return equation. Buyers from Austria, Italy and a few from Eastern Europe were on the floor, looking for brands they hadn’t seen before.

Mandatory’s own organisers are having the same date conversation. They’re discussing and evaluating an earlier slot, and would push for one if they could. But running outside CIFF’s dates isn’t really an option: international and Danish buyers alike won’t make two separate trips to Copenhagen in a calendar already packed with shows. For now, Mandatory’s date stays tied to CIFF’s.

The date question, again

Exhibitors keep raising the same point: move CIFF to early July. It would suit production schedules, and it would land inside the budget window for buyers like the Germans, who tend to close spending by late July and are lacking a big show, relying on order days and their showroom partners. Trade shows don’t drive order-writing the way they used to. Early contact still shapes how the rest of the supply chain plans its season.

WeAr asked show management directly. Their answer: they’re surveying the industry and will follow what the data says. So far, they said, the data doesn’t support a change.

That might be true, for Scandinavia. On that count, the show still performs. Buyers travel in from across the region, as far as Iceland, and UK companies, agents and distributors turn up as they always have. There was always a steady connection between the UK and the Scandinavian market. But keeping these dates limits what flows in from southern Europe and the German-speaking markets. If CIFF wants to become the pan-European show people keep asking for, the calendar it’s defending is the same one working against it.

Conclusion

For any brand looking to enter the Scandinavian market and buyers wanting to be in Scandinavia to buy there, CIFF and Mandatory are the shows to attend. Although showroom appointments, special events (even provided under the CIFF name during e.g. Paris) and trade press appearances are also valid options to get inspiration, contacts, and place orders. For international buyers, longer trips to the Asian destinations Tokyo, Seoul and Shanghai are the places to go to find truly distinct designers, or alternatively, the showrooms in Milan and Paris, even in June, to get a taste of womenswear. If it is menswear, the leader of the ring still is Pitti Uomo.

How can fashion move beyond the runway and become part of a live artistic experience? At La Biennale di Venezia, BOSS is answering that question through a new collaboration with Stuttgart-based international dance company WINNDance.

The partnership marks an important moment in BOSS’s ongoing commitment to supporting cultural expression, with the brand presenting Scirocco: Death in Venice – Bridge of Sighs at the historic Teatro Malibran. The production features an ensemble of internationally renowned ballet dancers, all over 40, performing in exclusive BOSS-designed costumes.

BOSS Meets Contemporary Dance

Rather than simply creating costumes for the dancers, BOSS approached the collaboration by rethinking how tailoring can work within movement.

Drawing on archival silhouettes, contemporary performance fabrics and the brand’s tailoring expertise, the BOSS garments were developed in close dialogue with WINNDance. Patterns and fabrics were adapted to accommodate the physical demands of choreography, allowing the clothing to become part of the movement and storytelling.

The result is a dialogue between fashion and dance, where tailoring is not simply worn by the performers but actively contributes to the visual identity of the production.

Celebrating Experience and Individuality

The collaboration also reflects a shared philosophy between BOSS and WINNDance. Founded by former principal dancers Marijn Rademaker and Slava Tutukin, WINNDance brings together celebrated ballet dancers over the age of 40.

Rather than looking back at their distinguished careers, the production places the dancers within a contemporary artistic context, highlighting their depth, presence and interpretative experience.

This focus on individuality and maturity closely connects with BOSS’s “Be Your Own BOSS” philosophy, which celebrates confidence, purpose and creative independence.

“Maturity is a value. It is not a limit anymore. This collaboration reflects BOSS’s ‘Be Your Own BOSS’ philosophy, celebrating individuality, purpose, and creative independence,” says Marco Falcioni, Creative Director of HUGO BOSS.

Fashion, Dance and the Story of Venice

Inspired by Thomas Mann’s Death in Venice, the multidisciplinary production brings together choreography, film, music, lighting and costume. Choreographic works by Imre and Marne van Opstal, Omar Román De Jesús and Rainer Behr are connected through films by Javier De Frutos and an overarching concept by Ira Goldbecher, Marijn Rademaker and Slava Tutukin.

The performance concludes with the world premiere of John Neumeier’s Bridge of Sighs, inspired by Venice’s historic bridge, the many dimensions of love and the dark mystery of Dmitri Shostakovich’s music.

For BOSS, the collaboration demonstrates how modern tailoring can move into new creative territory – from the runway to the stage, and from clothing to an integral part of artistic expression.

How Is Pepe Jeans Redefining London Style for Autumn-Winter 2026?

What happens when iconic denim heritage meets the energy of contemporary London? Pepe Jeans explores the answer with the first drop of its Autumn-Winter 2026 collection, bringing together denim essentials, rich textures and effortless attitude.

Part of AWWG Group, Pepe Jeans sets the new campaign across East and West London, with the city’s streets and architecture providing the backdrop. Photographed by Zoe Karssen, the campaign features emerging talents Maya Gunn and Maurits Scheij and introduces a fresh expression of the brand’s signature cool, sexy and confident aesthetic.

Denim at the Heart of AW26

The AW26 collection celebrates the versatility of denim, with the classic jeans and denim jacket remaining key pieces for both men and women. Designed to move effortlessly from street markets to live music events, they combine everyday comfort with timeless style.

For women, a suede jacket takes centre stage, complemented by turquoise tops and fluid teal prints that bring a relaxed London boho feel to autumn dressing.

The men’s collection focuses on lightweight shirts, T-shirts and polos, paired with iconic-cut jeans and trousers for easy city dressing.

Colours and Textures for Autumn

The collection moves through denim blues, soft beige and deep chocolate, with teal and turquoise providing vibrant contrast. Layered textures – from denim and cotton to suede and wool – create a relaxed yet sophisticated approach to seasonal dressing.

At its core, Pepe Jeans AW26 is about self-expression, versatility and effortless London style, combining the brand’s denim heritage with a contemporary lifestyle wardrobe.

Kering has announced the appointment of Romain Spitzer as Chief Executive Officer of Bottega Veneta, effective September 1, 2026.

Romain Spitzer brings more than thirty years of international experience in the luxury industry, with extensive expertise in brand stewardship, retail excellence and client experience. Most recently, he served as President and Chief Executive Officer of Fragrance Group LVMH Beauty, where he oversaw a portfolio of distinguished luxury Houses and contributed to strengthening their desirability and long-term development.

Throughout his career, Romain Spitzer has consistently nurtured brand appeal, fostered innovation and led high-performing international teams across diverse markets. His knowledge of global luxury markets and his ability to support the long-term growth of luxury Houses make him ideally positioned to lead Bottega Veneta through its next phase of development.

Building on its unique heritage of exceptional craftsmanship, creativity and cultural relevance, Bottega Veneta is entering a new chapter of ambition. Romain Spitzer will focus on further enhancing the House’s desirability, deepening its connection with clients worldwide and driving retail excellence across markets. He will draw on the deeply singular vision embodied by Bottega Veneta, reinforcing its position as one of the most distinctive expressions of luxury and preserving the unique values and unmistakable identity that define the House.

Luca de Meo, CEO of Kering, said: “Bottega Veneta is one of the strongest and most distinctive Houses in luxury, with exceptional craftsmanship, a unique creative identity and remarkable growth potential. Romain has the leadership, vision and international experience to unlock the next phase of the House’s development. I am confident he will build on its extraordinary strengths and take Bottega Veneta to the next level.”

What will define footwear trends for Spring/Summer 2027, and what should brands and retailers be looking for?

The Spring/Summer 2027 footwear market is moving towards a new, more expressive form of maximalism – one that combines bold colour, rich materials and decorative details with comfort, authenticity and a strong sense of personal identity. The latest market insights from MICAM Milano provide a view of how these shifts are likely to influence footwear collections and purchasing strategies.

The 102nd edition of MICAM Milano will take place from 13 to 15 September 2026. Alongside its extensive exhibition offering, the event provides market intelligence and trend analysis designed to help brands, buyers and retailers understand emerging consumer preferences and make more informed decisions when planning their product assortments.

For Spring/Summer 2027, the analysis points to a significant change in consumer and design attitudes. After several seasons shaped by minimalist and introspective aesthetics, footwear is once again becoming a vehicle for personal expression. Colour, tactile and rich materials, and decorative details are returning to the forefront, reflecting a growing desire for products with greater character and individuality.

This does not signal a return to excess for its own sake. Instead, the market is embracing a more conscious form of maximalism—one that balances distinctive design with comfort, authenticity and everyday wearability.

Four key macro trends capture this evolution: Mare Noir, Urban Beach, Tribal Relics and Summer Residence. Each trend represents a different lifestyle and consumer mindset, while together they provide footwear professionals with a practical framework for understanding the direction of the Spring/Summer 2027 market.

Among the key footwear styles emerging for the season are reinterpreted Mary Janes, deconstructed loafers and urban flip-flops. These silhouettes combine refreshed interpretations of classic footwear codes with contemporary comfort and a more relaxed approach to elegance.

For buyers and retailers, these insights offer practical guidance for future purchasing and assortment strategies, helping identify the colours, materials, silhouettes and design details most likely to resonate with consumers in Spring/Summer 2027.

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When is MICAM Milano 2026?
The 102nd edition of MICAM Milano will take place from 13 to 15 September 2026.

What are the main footwear trends for Spring/Summer 2027?
The season is defined by a more expressive and conscious form of maximalism, with greater emphasis on colour, rich materials, decorative details, comfort and individuality.

What are the four key MICAM trends for SS27?
The four macro trends are Mare Noir, Urban Beach, Tribal Relics and Summer Residence.

Which footwear styles are expected to be important for SS27?
Key silhouettes include reinterpreted Mary Janes, deconstructed loafers and urban flip-flops, combining classic references with contemporary comfort and relaxed elegance.

What do the SS27 trends mean for footwear buyers?
The trends provide a framework for understanding changing consumer preferences and can help buyers make more informed decisions about product assortments, silhouettes, materials and design direction.

This season, CIFF welcomes Cueva, the New York-based multi-brand menswear retailer founded by Justin Felizzari. Known for its curated approach to independent fashion, exclusive brand collaborations and community-driven retail, Cueva is dedicated to curating seasonal collections from around the world. Guided by the pillars of craftsmanship, quality, originality and thoughtful design, the retailer has become a destination for discovering both emerging independent designers and established global brands.

“We’re incredibly excited to bring Cueva to CIFF. Copenhagen has become one of the most influential cities in menswear, and it’s where so many of the brands we admire call home. For us, this isn’t just about showcasing our store. It’s an opportunity to celebrate the relationships we’ve built over the years and to share our perspective with a community that continues to inspire us,”, Justin Felizzari, Owner of Cueva.

The CIFF × Cueva space will become a destination for discovery throughout the 67th edition of CIFF, presenting exclusive collaborations available to purchase only at CIFF, including Cueva × Barena (Venice), Cueva × Doppiaa (Milan), Cueva × YMC (London) and Cueva × Small Talk Studio (New York).

Alongside the collaborations, Cueva will bring its retail concept to Copenhagen with a dedicated pop-up shop offering a curated selection of pieces. Blending a consumer-facing retail experience with CIFF’s international B2B platform, the collaboration creates a unique meeting point for brands, buyers and the wider fashion community.

“Our goal is always to create something fresh and meaningful for our customers while celebrating the craftsmanship and creativity that make each brand unique. We see these projects as a way to bring together different people, cultures, and ideas through great product, and we’re excited to share that experience with everyone at CIFF,”, Justin Felizzari, Owner of Cueva.

The fourth edition of ENSEMBLE was held at the Terrazza del Pincio in Rome. The project, promoted by the Department for Major Events, Sport, Tourism and Fashion of Rome Capital, with the support of the Department for Economic Development, Trade, Craftsmanship, Industry and Internationalisation of the Lazio Region, is dedicated to strengthening the fashion ecosystem by fostering dialogue between education, creativity, craftsmanship and the profession.

The first of the two evenings was dedicated to the new generation of fashion talent, showcasing collections created by students from the Academy of Fine Arts of Frosinone, the Academy of Fine Arts of Rome, Accademia Italiana, Accademia Koefia, Accademia del Lusso, Maiani Fashion Academy, and the National Academy of Master Tailors. Together, they offered a compelling overview of contemporary fashion education, highlighting diverse creative approaches united by a shared commitment to research, quality and innovation.

From the Academy of Fine Arts of Frosinone, which presented Just Before, exploring the suspended moment that precedes every transformation through a dialogue between couture and streetwear, to the Academy of Fine Arts of Rome, which showcased a selection of twelve collections born from the intersection of visual arts, design and new technologies. Accademia Italiana presented AIdentities, a reflection on identity as an ever-evolving process, while Accademia Koefia unveiled Modamorfosi, a project that uses white as a design language to explore the transformation of contemporary fashion. Accademia del Lusso presented Libertà, a collection dedicated to the relationship between identity and creative freedom. Maiani Fashion Academy showcased Infinity, a journey shaped through handcraftsmanship, embroidery, upcycling and textile experimentation, while the National Academy of Master Tailors closed the evening with Cut From the New Side, a contemporary reinterpretation of the Italian tailoring tradition created by the Academy’s students.

Taking the stage were Alessandro Onorato, Councillor for Major Events, Sport, Tourism and Fashion of Rome Capital, and Roberta Angelilli, Vice President of the Lazio Region and Councillor for Economic Development, Trade, Craftsmanship, Industry and Internationalisation, who reaffirmed the strategic importance of education and the fashion supply chain for the growth of both the city and the region.

“Young people are not only our future; they are our present, and they deserve to be supported through concrete actions. For the fourth consecutive year, ENSEMBLE has given hundreds of fashion students from seven public institutions and private academies in Rome the opportunity to showcase their work, free of charge, in some of the city’s most iconic locations. After Piazza del Campidoglio and Villa Borghese, this year we chose the Terrazza del Pincio. It was truly moving to witness the excitement of the students and their families. It is by no means a given that a public administration organises initiatives of this kind in such prestigious venues. Bringing academies together in shared projects for the benefit of students has become a positive and meaningful tradition, one that helps nurture emerging talent. Rome has once again become a key player on the international fashion scene, and we are proud of that. This is no coincidence, but the result of sustained commitment. We are seeing growing investment, increasing enrolment in fashion academies, and the return of major fashion shows to the city—from Valentino to Pucci, Dior to Dolce & Gabbana, Laura Biagiotti to Fendi, and now Chanel, which will stage its show in Rome on 2 December,” said Alessandro Onorato, Councillor for Major Events, Sport, Tourism and Fashion of Rome Capital.

WeAr Showrooms DACH #7

F/S 27 Trends, 100 Showrooms and the Partnership Question

WeAr Showrooms DACH #7 is out now. The seventh edition of the much loved B2B fashion guide for the DACH market focuses on Spring/Summer 2027 and one central question: how do brands and retailers build partnerships that actually work? The issue features two roundtables, a Top 100 DACH showroom directory, F/S 27 trend reports and brand news — published ahead of the Düsseldorf order days.

What’s inside

Reports that help your business
Es wird diskutiert: Wie kommt man aus der Krise, welche Optionen gibt es zur Nachfolgeregelung und wo hat’s geklappt, das Ende des Sneaker-Hypes und auf welche Erlebniswelten man diesen Sommer setzt.

Roundtable: F/S 27 — Trends, Brands and the Season’s Key Themes

Leading showrooms and agencies across the DACH region share their read on F/S 27. The picture that emerges is one of selective optimism: consumers are still spending, but they’re choosing more deliberately. Heritage, quality and emotional relevance are winning over noise and volume.

Other trend directions: silhouettes are going easy like balloons, wide-leg tailoring, relaxed co-ords. Vintage and premium denim is still on trend. Resort and boho styling continue their commercial climb. Understated luxury and “Affordable Luxury” are gaining ground against logo-heavy fashion.

Roundtable: Future Retail — Which Partnerships Work Now

The second roundtable puts the partnership question directly to brands. Brand voices, from CEOs to managing directors, on what sustainable collaboration between brand and retail looks like in practice.

The consensus is clear: short-term discounts, returns and markdown pressure are symptoms of a broken model. What replaces it is data transparency, shared market knowledge and a joint focus on the end consumer. Several contributors point to NOS programmes, flexible reorder systems and smaller, seasonally timed deliveries as practical answers.

Brands contributing: Kennel & Schmenger, CAPRICE & PETER KAISER, Herrlicher, GANG, 10DAYS, JOOP!, efix tricot / efixelle / ZAIDA , SMINFINITY , MeiMeij, Anna v. Berg, Seinse, Vicario Cinque, Avant Toi, DEHA, WHYCI Milano , Transit, Diego M, Elena Mirò & Luisa Viola, bugatti, Drykorn, Studio Anneloes, Dressler.

Top 100 DACH Showrooms

The issue publishes the Top 100 multibrand showroom directory for the DACH market — the reference list for buyers planning order trips to Düsseldorf, Munich and Salzburg.

Brand news and trend reports

Brand profiles across footwear, womenswear and menswear including Hugo Boss, Baldessarini, Juvia, Seinse and Tommy Hilfiger. A colour and trend report for F/S 27 with directions across silhouette, material and palette. Events and order dates for the coming season.

Get WeAr Showrooms DACH #7

Free to read online at WeAr Global Network. Also distributed in print mainly in selected showrooms in Düsseldorf, Munich and Salzburg.

[Read the full issue online here]

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About WeAr Showrooms DACH
WeAr Showrooms DACH is a B2B fashion guide for the DACH market, published twice a year by the WeAr Media Group ahead of the Düsseldorf order days. It covers the most relevant multibrand showrooms, agencies, brand news, trend reports and order day events across Germany, Austria and Switzerland. Available free online and mainly distributed in print in selected Düsseldorf, Munich and Salzburg showrooms.

About WeAr Global Magazine
WeAr Global Magazine is a leading international B2B fashion trade publication directed at premium multi-brand retail, published quarterly in 8 languages — English, German, Spanish, Italian, French, Mandarin, Japanese and Russian. Available in print and digital.

The 43rd edition of Milano Unica has come to a close, showcasing
the Fall-Winter 2027/28 collections of high-end fabrics and accessories for apparel. The event confirmed the strong presence of international buyers, while recording a slight decline in Italian attendance, partly due to transport disruptions.

Particularly significant was the increase in buyers from France (+25%), followed by the United States (+8%), the United Kingdom (+10%), Japan (+14%) and Korea (+22%), ranked according to the number of companies represented. Attendance from China and Germany remained stable. For the first time, international visitors accounted for almost 50% of total attendance. Alongside the confirmed presence of 460 Italian exhibitors, the event also recorded a significant 15.2% increase in European exhibitors.

The 43rd edition once again demonstrated that the competitiveness of the European textiles and accessories industry continues to rest on its ability to combine quality, research, innovation and manufacturing expertise. The Opening Ceremony, entitled “From Roots to the Future: The Path of Innovation in Textiles and Fashion,” set the tone for the entire exhibition, highlighting how innovation draws its strength from the ability to enhance skills, knowledge, tradition and technological progress.

Throughout the three-day exhibition, Milano Unica hosted a series of meetings, panel discussions and networking opportunities involving exhibitors, buyers, institutions, members of the press and industry professionals from the world’s leading markets.

“The results achieved by this edition represent an important consolidation, but even more significant is the message that has emerged over these three days: European manufacturing continues to be a benchmark when it invests in quality, research, innovation and people. Milano Unica continues to grow because it grows together with the companies that face the challenges of international markets with determination every day. Our role is to continue providing them with a platform capable of generating relationships and development opportunities, beginning with the strategic issue of sustainability. In this area, a partnership between businesses and institutions is now essential to deliver what can no longer be postponed: the creation of a fully integrated recycling supply chain.” stated Simone Canclini, President of Milano Unica.

Modefabriek celebrated its 30th anniversary during its Summer 2026 edition on 5 and 6 July at TAETS Art & Event Park in Zaandam. For three decades, the trade show has brought together retailers, brands and fashion professionals to discover new collections, exchange ideas and create connections.

This anniversary edition featured an inspiring mix of fashion, experiences and networking. Set against the industrial waterfront backdrop of TAETS Art & Event Park, the event featured a dynamic layout where multiple buildings are connected by the Event Garden. Visitors could effortlessly explore hundreds of brands, presentations and activations throughout the venue.

The Responsible Route showcased brands that are actively working to reduce their impact while demonstrating how sustainability continues to play an increasingly important role within the fashion industry.

The Event Garden once again formed the connecting heart of Modefabriek. It is where brands, inspiration and networking come together. Surrounded by pop-up shops, showrooms and brand activations, visitors could discover new collections, meet industry professionals and exchange ideas.

Alongside these highlights, hundreds of national and international brands presented their latest collections. From established names to new discoveries, and from Scandinavian labels to Dutch designers and more.

Centered around the theme “Second Chance, First Choice,” the competition
aims to foster pioneering solutions that contribute to reducing the environmental footprint of the jewelry industry across products, processes, services, and technological innovation.

Students were invited to design a piece or a collection of jewelry by giving new life to discarded materials, transforming them into creations that combine aesthetic value with sustainability. The startups presented their innovations in the following fields of action: new innovative materials, AI, packaging and retail-focused technologies.

The four finalists will present their final projects on July 9th at Kering’s Parisian Headquarters, during a special event dedicated to sustainable jewelry held amidst Paris’ Haute Couture Week.

GUESS JEANS has joined forces with Illumination and Universal Products & Experiences to launch a new capsule collection inspired by Illumination’s upcoming film Minions & Monsters. Blending vintage Hollywood glamour with iconic American denim, the collaboration reinterprets heritage GUESS silhouettes through joyful photorealistic graphics and archival-inspired designs.

Set to become one of the summer’s biggest action-comedy blockbusters, Minions & Monsters will debut in theaters on July 1.

The capsule collection was launched globally on June 18 across retail, wholesale and e-commerce channels. Drawing inspiration from both classic GUESS JEANS pieces recovered from the brand’s archives and the forthcoming film, the collection celebrates the whimsical world of Minions & Monsters. The movie hilariously chronicles how the Minions conquered Hollywood during the 1920s, rose to fame as silent film stars, lost everything, accidentally unleashed monsters upon the world and ultimately joined forces to save the planet from the chaos they had created.

Rooted in the nostalgic spirit of 1920s Hollywood, the collection merges cinematic fantasy with the lived-in authenticity of classic American style.

Reimagining GUESS JEANS essentials through the lens of Illumination’s iconic Minions, the range combines organic cotton pieces with vintage-inspired denim, chainstitch embroidery and playful graphics. Key styles include the Photo Real Tee and Triangle Tee, both crafted from heavyweight organic cotton, alongside women’s stretch organic cotton baby tees featuring dedicated embroidery and prints.

Denim remains at the heart of the collection, with standout pieces including women’s denim overalls, the Director’s Jacket and Carpenter pants. Each style features medium vintage washes, paint-splatter effects, the signature woven triangle logo and Minions-inspired embroidery.

Accessories round out the offering with a denim tote bag embellished with chainstitch embroidery and a collectible Minions keychain.

Built around themes of nostalgia, humor and the enduring appeal of American denim, the GUESS JEANS x Minions & Monsters collaboration explores the intersection of cinematic storytelling, archival design and vibrant, creative self-expression.

German contemporary fashion brand DRYKORN has returned to Pitti Uomo to unveil its Spring/Summer 2027 collection. Inspired by the vibrant energy of tropical metropolises, the season blends Latin influences, contemporary ’80s references, and modern urbanity into a fresh expression of effortless summer style. Relaxed silhouettes, denim pairings, and an understated sensuality define the collection throughout.

Balancing between poolside ease and city streets, sea breezes and metropolitan energy, the collection combines casual elegance with open shirts, deeper necklines, and fluid fabrics. The result is a wardrobe that feels relaxed yet refined, embodying a distinctly modern summer attitude.

A rich spectrum of beige, sand, and brown tones forms the foundation of the season. Vibrant shades of green, sun-kissed purple, and butter yellow add striking accents, infusing the collection with warmth and seasonal energy.

Wave patterns and snake-inspired textures emerge as key design elements across various product categories and surfaces. These are complemented by stripes, checkerboard motifs, tropical florals and foliage, as well as jacquards and graphic prints, creating a dynamic interplay of texture and pattern.

Described as “Urban Latin Heat,” the collection captures a mood that is simultaneously relaxed, sensual, urban, and tropical. It creates a world where palm trees meet concrete, merging tropical influences with the pulse of city life to evoke a confident summer spirit.

“The looks should feel as though they have been shaped by the heat and movement of summer,” says Fred Götz, Head of Menswear and Creative Director Interior Design.

Following Pitti Uomo, DRYKORN will continue presenting its Spring/Summer 2027 collection during Paris Menswear Fashion Week. Set within a gallery in the heart of the Marais district, the showroom will offer international retailers, buyers, press, and agencies the opportunity to experience the collection in a more intimate setting.

WeAr Global Magazine #87 is out now. This is the summer season opener, published ahead of Pitti Uomo, with a full Footwear Special running through the Lookbook and a debut WeAr Showrooms Italia section covering 100 Italian showrooms. The issue brings together brands including Prada, Thom Browne, Gucci, Jacquemus, Tommy Hilfiger, Levi’s, Bottega Veneta, Simone Rocha and 200 more across fashion, footwear, accessories and lifestyle.

The question driving this edition: where do the opportunities lie? The market is tough. Consumers and buyers are more careful. But the money is there — and this issue is about finding it.

Executive summary

WeAr Global Magazine Issue #87 (WeAr 3/2026) covers the developments shaping fashion retail this summer season. The Roundtable “Revealing the Upside” gathers international CEOs, brand directors and retailers to identify what’s actually selling and why. Menswear trend direction: Loose Tailoring — exaggerated proportions, precise construction, suede and wide-leg. Womenswear: Sculpted in White. A dedicated Resortwear report tracks the category’s commercial rise. The WeAr Showrooms Italia special debuts with 100 Italian showrooms to watch. The Storebrook visits retail concepts in Osaka, Sicily and Ibiza. Best Fashion Retailer of the World Award 2026 voting is announced. Cover artist: KAWS.

Key topics in this issue

WeAr Global Magazine Issue 87 is the summer season opener. Trend reports on menswear and womenswear, the season’s key brands, the Lookbook containing highlight brands with a mix of up-and-coming and established brands, and a dedicated Footwear Special. Plus the industry roundtable discussing how to navigate the times and where real business opportunities lie. In line with the summer season, WeAr #87 contains a Resortwear report, a dive-down into the Middle East market today, a Benelux spotlight, tips on virtual fitting rooms, the Storebrook with an array of stores to get inspirations from different cities including a highlight from Osaka.

New this issue: WeAr Showrooms Italia. Italy plays by its own rules. Consumers there spend more on fashion and footwear than the European average and independent retail still dominates. Even Zalando hasn’t cracked it. WeAr sat down with decision-makers across the market and asked the direct questions: how do you enter Italy, what do you pay attention to, what are the real opportunities? And because Italian retail is so fragmented, showrooms carry more weight in Italy than in almost any other market. This issue publishes a list of 100 of the most relevant Italian showrooms. A must look-at for everyone active in the Italian market.

Get the full issue

Available in print and digital in 8 languages: English, German, Spanish, Italian, French, Mandarin, Japanese and Russian.

Get Issue 87 in print and digital here

Featured brands in this issue

WeAr Global Magazine Issue #87 features an international selection of brands across fashion, footwear, accessories, eyewear and lifestyle. Looking for your brand? The following index lists every brand featured, referenced or showcased in this edition.

#

1 Hundred Shoes · 2886 · 4ccccees · 8division · 10 Corso Como · &EXTR4 · ,then

A

A Jane · A LEATHER · Abiola Olusola · Across 29 · ADN Paris · AGL · AHMEV · alagio · Alaïa · Alberto · Alex S. Yu · AMENICA · AMI Paris · AMO Denim · Anta · ANTIK BATIK · Apice · APOC Store · Apparel Group · Arbiter · ARKK · Artisti Romani · Asics · Atelier Content · Atlantic Stars · Atrio · Avant Toi · Avolta · Azzurro Due

B

Back 70 · Baily · BALDESSARINI · Beekite · BIAGINI · bioeco · BLONI · Blue Marlin Roma · Bobby · Bomboogie · BONASTRE · BOSS · Bottega Veneta · Buffalo · bugatti · Burberry

C

Calla · Calvin Klein · CAMPESE · CANOTWAIT_ · CAPASA Milano · Casteller · Cavalieri · CB · Celine · Chanel · Charles Tyrwhitt · Chitiner · CHT · COGO · Colmar · CONP · Copenhagen Studios · Cotton USA

D

D6 · DAILY MIRROR · Danilo Damiani · DAVID TLALE · DE SIENA SHOES · DEHA · DEMO · DENIMITUP · Dhaari · DIANA KLISARIS · Diane von Fürstenberg · DINA SHAKER · Dior · DKNY · Dolce & Gabbana · DOYS · Drake Piper · Dries Van Noten · DRYKORN · DUEDÍ · Dulari · duuo

E

Ed Hardy · Edward Achour · Egyptian Cotton · EKJO · Elhann.H · Emerging Creative People · Eric Nurnberg · EVA LUEN · EVA REMENYI

F

Fendi · Ferragamo · Finoacinque · Floris van Bommel · foamers · Frantic

G

Gabba · Ganni · GHOUD · GIMMI JEANS · Giorgio Armani · Giovanna Nicolai · Glamorous · GOGO HSU · Golden Goose · Gucci · GUDU · GUGUBYGUGU · GUESS

H

Hackett Heritage · Han Kjøbenhavn · HANNAH SHIN · Hanout · HBX · Helena Mar · Hermès · Huaman Autor · Hummel

I

I’M BRIAN · IDAMA · Imprint · Isabel Benenato · Isetan

J

Jacquemus · JD Sports · Jean Paul Gaultier · JERELYN CREADO · JIAMINI · Jimmy Choo · JINSUN · JOANE K · JOOP! · Joyce · Julie Kegels

K

KARHU · Karl Lagerfeld · Kasa People · Kente Gentlemen · Kering · Kiivu · KSENIASCHNAIDER · Kvadrat

L

Late for work · Le Signe · Le Temps des Cerises · Leem · LES HOMMES · Levi’s · Lexx Moda · LIE · Lilit’s shoes · liv bergen · Loewe · LOLA CASADEMUNT · Lords of Harlech · Louis Vuitton · Love Future · LVMH

M

Maison Beast · MANA · Marc Jacobs · Marian · Massimo Sabbadin · Mattia Capezzani · Me369 · méliné · Melissa · Mellowdrama · Messe Frankfurt France · Millesime · Minnessak · Miu Miu · MOD WAVE MOVEMENT · Moliane · Moon2gether · Mosaic · Mugler · mul_olga · Munich Fabric Start

N

Naseej · NØ NAME

O

Oakley · One Teaspoon · Orlebar Brown · oroh · Our Legacy

P

Palomitas · Parisy · Pas Une Marque · Pepe Jeans · péro x HELLO KITTY · Petite Jolie · Piet · Play One · Prada · Pratesi · prelude · Première main · Primabase · Printa · PRKHR · Public School · Puma

R

Raffaele d’Amelio · Rains · Rebecca White · RIC · Richard Quinn · Richemont · Roberto Festa · ROUGHNECK

S

Sabine Poupinel · Sabinis · Sapaf 1954 · Saya · Schutz · Seconde Main · Simone Rocha · Skall Studio · Skechers · Sofia Baldi · Soko · soloio · Sophie+Lucie · SSENSE · Stephane Kelian · Stine Goya · STUART WEITZMAN · STUDIOMORAL · Studio Poggio · Susanne Bommer · Swarovski · SWOFCARE

T

Tamaris · TANGY Collection · The Giving Movement · The Original Pattern · Thea Mika · THEO · Think Pink · Think! · Thom Browne · Toast · Tommy Hilfiger · Tommy Jeans · True Religion

U

U.S. Polo Assn. · UIN · UJNG · Und Uli · upper hights · UPPERVOID · Urbn Concepts

V

Valentina · Variettá · Ventura · Versace · Vetements · Via Masini 80 · Vintage Race

W

w6yz · Weekend Offender · Werner · WODEN · WUMAN

Y

Y–Y · YAVÏ

Z

Zimmermann · ZIVGREY

About WeAr Global Magazine
WeAr Global Magazine is the leading international fashion trade workbook, published quarterly in 8 languages — English, German, Spanish, Italian, French, Mandarin, Japanese and Russian — aimed at fashion professionals globally. Available in print and digital. For editorial, subscription and advertising enquiries: www.wearglobalnetwork.com

bugatti continues to pursue its international growth strategy with determination and has appointed Modextil Inc. as its new exclusive wholesale distribution partner for the American market.

Starting with the Spring/Summer 2027 season, the North American apparel company will take over the exclusive distribution of bugatti Menswear in the United States.

With more than 45 years of experience in the development and distribution of international premium menswear brands, Modextil is regarded as one of the established partners in the North American fashion market.

The partnership marks an important milestone in bugatti’s international expansion strategy and is intended to sustainably strengthen the brand’s visibility and market presence within the U.S. premium segment. As a European lifestyle brand with Italian inspiration and German roots, bugatti stands for modern menswear, innovative materials, exceptional comfort, and timeless style expertise. Together with Modextil, bugatti will strategically drive the expansion of its wholesale business in the U.S., focusing on department stores, premium specialty retailers, and selected e-commerce partners.

“By partnering with Modextil, we have gained a company with outstanding knowledge of the American market and strong expertise in building international premium brands. We are very much looking forward to working together and are convinced that Modextil is the right partner to successfully and sustainably establish bugatti in the U.S. market,” says Jalel Guelmami, Head of Global Wholesale at bugatti.

The market launch will take place with the Spring/Summer 2027 collection, which will be presented in Modextil’s showroom at Bryant Park in New York, as well as at leading international trade fairs such as Pitti Uomo and Chicago Collective.

Asics has announced plans to spin off its premium Onitsuka Tiger business in an effort to accelerate decision-making at the brand, which has become a major profit driver amid a tourism boom and rising demand for its retro-inspired sports footwear.

Under the proposed restructuring, the nearly 80-year-old Onitsuka Tiger business will be transferred to OT Group, a wholly owned subsidiary, through a company split that will take effect on January 1. Speaking at a press conference, Asics CEO Yasuhito Hirota said there are no plans to list OT Group publicly.

Strong sales growth at Onitsuka Tiger has helped Asics achieve record profits for four consecutive years. Shares of the company, which competes with brands such as Nike, Adidas, and Puma, have risen approximately sevenfold over the past five years, giving it a market capitalization of around US$20 billion.

CIFF and PARAISO Miami Swim Week announced a new strategic partnership, marking the beginning of a long-term collaboration connecting the worlds of fashion, resort wear, wellness, and contemporary lifestyle across Copenhagen and Miami.

The partnership was announced during 22nd edition of PARAISO Miami Swim Week in May 2026 in Miami Beach, and will officially launch at CIFF 67 this August in Copenhagen, where PARAISO Miami Swim Week will introduce a dedicated showcase highlighting selected brands from its international portfolio.

The collaboration forms part of CIFF’s expanding strategic focus on activewear, wellness, and lifestyle – categories that continue to reshape the global fashion industry and consumer behavior. 

“We have long explored the right framework for a partnership between CIFF and PARAISO Miami Swim Week, and now the timing and vision feel perfectly aligned,” says Sofie Dolva, Director of CIFF. “Fashion today extends far beyond clothing – intersecting with lifestyle, wellness, travel, and community. Through this partnership, we have the opportunity to engage new international audiences, strengthen our focus on these evolving categories, and create a platform that moves beyond the traditional fashion week format.”

“This partnership represents a natural evolution for PARAISO Miami Swim Week as we continue expanding the global conversation around resort wear and the cultural influence of destination-driven fashion. CIFF brings a highly respected international platform with a forward-thinking perspective on fashion and business, and together we have an opportunity to create meaningful cross-market visibility for brands operating at the intersection of fashion, travel, and contemporary lifestyle,” says Natalija Dedic Stojanovic, the co-founder of PARAISO Miami Swim Week.

As part of the partnership, SIGAL will participate in PARAISO Miami Swim Week’s “RISE” showcase this May as part of the broader CIFF x PARAISO collaboration and will subsequently be featured during CIFF 67 in Copenhagen this August.

Calvin Klein and Jung Kook hosted an event celebrating their long-standing partnership at the brand’s Harajuku flagship store.

Jung Kook greeted guests wearing a custom version of the Jung Kook for Calvin Klein leather racing jacket over a blue 90s Denim Trucker Jacket and matching 90s Straight Jeans. K-pop artist and friend of the brand MINGYU also attended the event wearing a black 90s Denim Trucker Jacket and grey Baggy Jeans. The event featured sets from DJs Gothicc and Conducta.

The event was hosted at the Calvin Klein Harajuku flagship store in Tokyo, which was transformed into an immersive environment reflecting the world of Calvin Klein through Jung Kook’s lens, including design elements inspired by the Jung Kook for Calvin Klein collaboration such as track mark floor decals, motorcycles and an oversized helmet signed by the artist himself.

Following the event, the store’s third floor takeover will remain open to the public through June 11, 2026, and will feature some of Jung Kook’s most iconic Calvin Klein looks alongside a curated assortment of styles that inspired his recent collaboration, allowing consumers to shop an edit of the brand’s most iconic styles.

Kering has announced the appointment of Gianfranco D’Attis as Chief Executive Officer of Alexander McQueen, effective June 3^rd, 2026. He reports to Luca de Meo, Chief Executive Officer of Kering and is based in London.

Gianfranco D’Attis brings more than 25 years of international experience in the luxury industry, with a strong track record in brand development, retail excellence and client engagement across key markets. He most recently served as Chief Executive Officer at Prada, where he successfully strengthened brand desirability and drove growth through a more client-centric and disciplined approach. Prior to that, he held senior leadership roles at LVMH and Richemont in Asia, America and Europe, consistently delivering business expansion and operational transformation.

Alexander McQueen is entering a new phase focused on strengthening its distinctive positioning, supported by a leaner and more disciplined model built around focused collections, a rightsized retail network and a streamlined organization. In this context, Gianfranco D’Attis will lead the next stage of the House’s development, with a clear focus on strengthening brand clarity, elevating execution and improving financial performance.

Luca de Meo, CEO of Kering, commented: “I am very pleased to welcome Gianfranco to Kering. He brings a powerful combination of strategic vision, operational rigor and deep luxury expertise. His ability to sharpen brand identity while driving disciplined execution will be critical as we refocus Alexander McQueen and unlock its full potential. I am confident that, together with the teams, he will lead the House into its next phase of development.”

YKK Corporation has been selected for top honors by the international environmental non-profit organization CDP (*1) as a Supplier Engagement Leader in their FY2025 Supplier Engagement Assessment (*2) for the fourth year running.

This recognition shows YKK has been assessed as a global leader through its establishment of an effective framework for reducing GHG emissions across the entire supply chain through the clarification of its governance structure and targets, as well as initiatives to reduce GHG emissions in collaboration with suppliers.

In December 2025, YKK was recognized with the top “A” rating in the 2025 Climate Change Survey, which was also conducted by CDP, for the third consecutive year. Going forward, YKK will continue to work on climate change initiatives and transparent disclosure of information, based on the net-zero target outlined by the Science Based Targets (SBT) initiative.

“Since the YKK Sustainability Vision 2050 was formulated in October 2020, we have engaged in various initiatives to achieve our targets. We are guided by the YKK Philosophy of the CYCLE OF GOODNESS^®, which states that “No one prospers without rendering benefit to others.” In addition to our own activities to reduce GHG emissions, we also collaborate with our suppliers via engagement activities to promote initiatives to contribute to reducing emissions globally. Specifically, we are engaging in discussions with strategic partners who share our vision regarding the expansion of production capacity and global supply, with the aim of further expanding the impact of reducing emissions. We are also working to develop an effective structure for reducing GHG emissions through dialogue regarding the presentation of LCA values (*3) verified by third parties. We will continue to enhance our collaboration with our suppliers to help reduce our environmental impact and contribute to bringing about a sustainable society.” – Takayuki Aoki. Vice President, Procurement & Logistics Department, YKK Corporation

G-III Apparel Group, Ltd. announced that it has entered into a definitive agreement with WHP Global to jointly own the Marc Jacobs brand’s intellectual property through a newly formed joint venture (“JV”). G-III will acquire and manage the global Marc Jacobs operating business, while WHP Global will manage the licensing operations. Founded in 1984, Marc Jacobs is a culture-defining brand recognized for its distinctive blend of high fashion and contemporary design. Built on the creative vision of its founder, the brand has established a strong international presence through four decades of consistent cultural influence and a distinct creative point of view.

Morris Goldfarb, G-III’s Chairman and Chief Executive Officer, said, “Marc Jacobs is one of the most influential names in fashion. This transaction underscores our long-standing commitment to building a diversified portfolio of iconic, globally relevant brands. LVMH has been an exceptional steward of the brand, and we look forward to working with the Marc Jacobs team to build on that strong foundation. With our portfolio of premium brands and backed by our powerful global platform, this opportunity accelerates our transformation efforts and positions us to drive long-term shareholder value.”

Transaction Details G-III and WHP Global will form a 50/50 joint venture that will retain ownership of Marc Jacobs’ intellectual property that will be formed contemporaneously with WHP Global’s closing of its acquisition of Marc Jacobs. G-III will then acquire the Marc Jacobs operating business from the JV and enter into a long-term licensing agreement. G-III will fund its approximately $500 million investment using cash on hand and borrowings under its revolving credit facility. The transaction is expected to be dilutive during the first 12 months after closing, with accretion expected thereafter. Closing is subject to customary conditions, including regulatory approval, and is expected to occur in G-III’s fiscal third quarter of 2027.

Kering has selected 10 fellows for the inaugural edition of Kering CRAFT – Creative Residency for Artisanship, Fashion and Technology – the Group’s pioneering program developed in partnership with Shanghai Fashion Week. Strengthening Kering’s support for emerging talent and fostering closer ties between Chinese and international creative communities, Kering CRAFT aims to accelerate the next generation of Chinese designers through a program spanning Milan, Paris, and Shanghai.

Since the official opening of applications in December 2025, over 100 excellent candidates submitted their applications. In March 2026, a rigorous evaluation and selection process was jointly conducted by Kering, Shanghai Fashion Week and the Kering CRAFT Advisory Board, composed of leading international experts across the luxury, fashion and creative industries. The criteria included creativity and originality, craftsmanship and product excellence, growth prospects, and the embodiment of future luxury trends.

CAI Jinqing, President of Kering Greater China, said: “We are grateful to the Kering CRAFT Advisory Board and Shanghai Fashion Week for their invaluable support in selecting this inaugural cohort of ten exceptional fellows. Their creative passion, distinct perspectives, outstanding abilities and exceptional potential embody China’s new generation of creators. We look forward to meaningful learning and cultural exchange during their residency, and to further strengthening the richness and diversity of the CRAFT creative community together.”

With a focus on fashion and jewelry design, the 10 chosen residents demonstrate distinct creative styles, keen cultural insights, bold innovative spirit, and strong business potential. Their design concepts also blend local originality with a global perspective. Many draw on Chinese culture and philosophy and reinterpret them into a global context, showcasing the inner cultural connections and heritage in contemporary fashion narratives.

By offering an immersive pathway grounded in excellence and guided by world‑renowned experts, the program will combine hands‑on learning, expert mentorship, and cultural exchange to advance craftsmanship, innovation, business development, and a sustainable fashion ecosystem. Ultimately, Kering CRAFT’s ambition is to support the emergence of Chinese brands rooted in local culture and yet resonating worldwide.

The final cohort is composed of, in alphabetical order:

• CAI Jiaen, fashion designer, J E CAI
• HU Nan, fashion designer, Nan Knits
• LONGHONG Ziwei, jewelry designer, Soft Mountains
• QI Yueqi, fashion designer, YUEQI QI
• WANG Fengchen, fashion designer, Feng Chen Wang
• WEI Donghui, fashion designer, JACQUES WEI
• XIA Rong, fashion designer, macro’SENSES
• XU Hao, jewelry designer, qiqi
• YU Gengyi, jewelry designer, Midnight Opera House
• ZHONG Zixin, fashion designer, Zhong Zixin

The launch of SHIFT in Frankfurt is being repositioned: The first edition of the format will now take place in January 2027 in Offenbach. The originally planned dates in July 2026 will not be pursued.

The decision has been made to allow for a more structured build-up phase and to further strengthen the foundation of the format. While the overall response from brands and retailers across the German-speaking market has been positive, it has also become clear that parts of the industry are currently taking a more cautious, observant stance. In this context, SHIFT is using the additional time to deepen engagement with key stakeholders, expand its network and further sharpen the concept.

At its core, SHIFT is designed as a platform for inspiration, exchange and forward-looking perspectives within the fashion industry. The focus lies on curated brand environments, trend-driven content and a relevant supporting program addressing topics such as the role of AI in retail, evolving market dynamics and regulatory developments.

Rather than accelerating the launch under current conditions, the team behind SHIFT has consciously decided to invest more time into building a format that reflects the needs and realities of the market more precisely.

In parallel, additional concepts and more commercial formats for the German market are being explored, further underlining the ambition to contribute to a more connected and future-oriented industry landscape.

To mark its 45th anniversary, GUESS goes iconic: inspired by timeless beauty, Hollywood glamour, and modern femininity, the brand unveils the new Marilyn Monroe™ Capsule Collection—a tribute to style, confidence, and sensuality.

It all began in 1981 with the legendary Marilyn 3-Zip jeans, which redefined denim with their feminine, figure-enhancing silhouette—drawing inspiration from the unmistakable allure of Marilyn Monroe. Today, that spirit is reimagined: the iconic jeans return in updated washes and fits, forming the foundation of a collection that blends the heritage of GUESS with a bold, contemporary attitude.

Playful yet empowered, the collection features pieces inspired by Marilyn’s most iconic looks—including halter dresses, bustier tops, cropped jackets, and capri pants. Youthful silhouettes reinterpret the charm of Hollywood’s Golden Age, translating it into a fresh, modern design language.

Tailored cuts and feminine lines accentuate the silhouette, while each look radiates confidence and modern energy. The collection is complemented by relaxed graphic tees crafted from contemporary materials and finished with vintage-inspired prints. Gingham, cherry motifs, and polka dots bring together iconic elements with a sense of lightness, creating a bold and expressive aesthetic.

The Marilyn Monroe™ Capsule Collection has been available since April at guess.com, in GUESS stores, and through selected partners.

Calvin Klein Inc. announced that Hailey Bieber wore custom Calvin Klein Collection for the 2026 TIME100 Gala at Jazz at Lincoln Center in New York City. Hailey wore a custom Calvin Klein Collection floor-length column dress crafted from delicate lilac and silver floral lace with a sculpted inset bra and micro spaghetti straps. The dress is inspired by an archival Calvin Klein Collection Spring-Summer 1992 runway look.

The New Retail Culture, the international event promoted by Fashion Link Milano—the platform bringing together the leading trade shows of the fashion system—was held at Palazzo Lombardia. The gathering marked a high-level opportunity to analyze emerging global retail scenarios, bringing together international buyers, industry professionals, media, and stakeholders for a direct exchange on the evolving dynamics of consumer behavior and distribution strategies.

At the heart of the discussion was the transformation of retail from a mere point of sale into a contemporary cultural platform, where product, technology, processes, and lifestyle converge to create increasingly complex and meaningful experiences. In this context, the role of the Lifestyle Curator Buyer is gaining prominence—an emerging figure adopting a cross-disciplinary approach to build true consumption ecosystems, where fashion, beauty, wellness, design, and innovation coexist seamlessly.

Curated and moderated by Orietta Pelizzari, Global Macro-Trend Forecaster in Creative Industries and Cross-Cultural Strategy for Retail Futures, the event stood out for its dynamic and interactive format. Structured around thematic discussion tables, it encouraged direct and high-quality exchanges among participants. This model reflects an ongoing approach designed to support the industry beyond the temporary dimension of individual trade fairs.

From this perspective, trade shows are no longer seen as static, isolated events tied to the traditional February and September schedules. Instead, they are evolving into a proactive platform, active throughout the year, offering multiple opportunities for engagement and serving as a continuous tool to interpret and navigate the market with awareness and up-to-date insight.

In particular, artificial intelligence emerged not only as an enabling technology but as a true interpretative engine. In an increasingly data-driven landscape, AI empowers buyers to read lifestyle micro-trends in real time, transforming weak signals and complex data flows into actionable insights that support purchasing decisions and assortment development.

The discussions highlighted a retail landscape increasingly oriented toward experience and cross-sector contamination, where physical spaces are evolving into hubs for interaction, discovery, and cultural connection, while selection and merchandising strategies become ever more sophisticated and integrated.

The initiative reaffirmed Milan’s role as a leading international hub for dialogue between industry, distribution, and innovation, offering a concrete and up-to-date perspective on ongoing transformations. Strengthening the value of the event was the strong synergy expressed by Fashion Link Milano—a project that integrates the sector’s key trade shows into a single strategic vision: MICAM Milano, MIPEL, TheOne Milano, Milano Fashion&Jewels, Lineapelle, Simac Tanning Tech, and FILO—aimed at delivering a comprehensive, coherent, and efficient experience of the entire fashion system.

This journey will find its full expression in the September 2026 trade fair calendar, when Milano Fashion&Jewels and TheOne Milano (September 12–14) will take place alongside MICAM Milano and MIPEL (September 13–15), confirming the strength of an integrated ecosystem capable of attracting buyers and industry professionals from around the world. Completing the system, Lineapelle and Simac Tanning Tech (September 15–17), along with Filo (September 15–16), will also be held concurrently, further expanding the offering and reinforcing Milan’s position as a global platform for the entire fashion supply chain.

The conference highlighted strategic contributions from international retail authorities on the “Lifestyle Curator Buyer” model:

Italy: Maura Basili (President of Camera Buyer Italia) emphasized curatorial authority, while Federica Montelli (Founder of Chapter Store) spoke on fluid, editorial retail formats.

United Arab Emirates: Anissa Berkani (Harvey Nichols & Bloomingdale’s Dubai) and Tia Avakian (Galeries Lafayette Dubai & Riyadh) discussed maintaining curatorial identity within global digital scaling.

Ukraine: Susanna Grigorian (Head of Buyer at Helene Marlen) focused on trust and the importance of storytelling for every curated item.

China: Alessio Liu (B1OCK Hangzhou) detailed the integration of art and digital manufacturing in-store, while Guan Yin/Echo (Lane Crawford) addressed the buyer’s role in supporting clients through shifting life stages.

United Kingdom: Hannah Mouncer (Cult Mia) highlighted curation as a vital “filter” to reduce choice in an increasingly saturated digital environment.

USA & Latin America: Diego Stecchi (Luxury Retail Partners) noted the rise of independent boutiques over department stores and the growth of Caribbean resort retail.

South Korea: Aaron Seong (Head of Buyer at Musinsa Empty) presented the “culture complex” model, where retail spaces host evolving cultural concepts.

Vietnam: Tran Thi Hoai Anh (Founder of Runway) emphasized the importance of clear aesthetic direction in fast-growing aspirational markets.

Europe: Ursula Maria Lemm (Da Capo Aachen, Germany) spoke on credible storytelling through traceability, while Elena Pashkenko (Romania) defined luxury through experiential spaces such as Stirbei Palace.

Hackett London has opened its newest store in Germany at FOUR Frankfurt, located at Junghofstraße 5–7, 60315 Frankfurt am Main. The 225-square-meter ground-floor retail space marks an important milestone in the brand’s ongoing expansion in Germany.

After more than 15 years in Frankfurt and establishing a strong local presence, the opening of a second store represents a natural next step. The brand’s existing location in the city has been highly successful, and the new store reinforces Hackett London’s long-term commitment to one of Germany’s most important economic and cultural hubs.

With this opening, a new retail concept is being introduced to the German market for the first time, following the recent rollout of similar concepts in the United Kingdom.

The new store is situated within FOUR Frankfurt, a landmark development that is reshaping the city’s skyline with its 233-meter-high towers, as well as its mix of residential units, offices, hotels, and public spaces. Reflecting the forward-looking spirit of the district, the project is designed to connect the city center with the financial district, while emphasizing sustainability and modern urban living—values that align seamlessly with Hackett London’s contemporary British identity.

The interior design draws inspiration from Hackett London’s iconic collections and the heritage of No. 14 Savile Row. Antique furniture, carefully selected vintage pieces, and modern accents come together to create a space that feels both classic and contemporary. The result is a welcoming environment reminiscent of a traditional London townhouse with a modern twist.

WeAr Denim #10 is all about the ‘wow effect’: innovations in casual fibres and sustainable technologies and of course all things denim. It explores how the industry is transitioning from a design-driven category into a process-driven system. As innovation accelerates across materials, chemistry, and production, competitive advantage is shifting upstream.

This issue focuses on how denim is being redefined through fibre development, dyeing technologies, automation, and integrated supply chains.

Executive Summary

Denim is undergoing a structural transformation driven by material innovation, process efficiency, and sustainability requirements. The focus is shifting from surface design to fibre composition, dye chemistry, and production control. Technologies such as laser finishing, ozone treatments, and AI-driven production are improving efficiency while reducing environmental impact. At the same time, vertical integration is becoming a key strategy, enabling companies to control quality, speed, and resource use. The result is a more technical and interconnected denim ecosystem where innovation is defined by how processes, materials, and technologies work together.

Key Topics in This Issue

• Material innovation: regenerative cotton, alternative fibres, and blended fabrics
• Dyeing technologies: bio-based dyes and reduced-chemical processes
• Washing innovation: laser, ozone, and water-reduction systems
• Chemistry shift: replacing legacy substances like potassium permanganate
• Vertical integration as a competitive strategy
• AI in denim: from design to production optimisation
• Digital development: reduced sampling and virtual fabric simulation
• 3D printing and reuse of denim waste

Market Insight

Denim is no longer defined by finishing alone. It is increasingly shaped at the material and process level.

Innovation is moving toward:

• fibre selection and blending
• dye penetration control
• integrated production systems
• digital and AI-supported development

This reflects a broader shift from isolated techniques to fully connected production ecosystems, where design, chemistry, and manufacturing operate as one system.

At the same time, sustainability is becoming operational. Technologies such as water-reduced dyeing, recycling systems, and alternative chemical processes are no longer experimental — they are entering industrial scale.

Why This Issue Matters

This issue is critical for:

• brands aligning product development with sustainability requirements
• manufacturers investing in process innovation and vertical integration
• buyers evaluating long-term product quality and supply chain stability

Success in denim is increasingly defined by:

• control over materials and processes
• ability to integrate innovation into production
• efficiency in resource use and lead times
• balancing technology with craftsmanship

Read the full issue here: https://www.wearglobalnetwork.com/publication/wear-denim-10/

Brand Index – WeAr Denim #10

The following companies, brands, and industry players are featured in this issue, reflecting the full denim ecosystem from fibre development to finished product and retail.

Brand Index – WeAr Denim #10

The following companies and industry players are some examples of who is featured in this issue, reflecting the global denim ecosystem across fibre production, fabric development, processing technologies, and finished product.

WeAr has been informed that Adriano Goldschmied, the godfather of denim, has recently died. This comes as very sad news for the entire denim industry.

WeAr Media Group’s publisher remembers him:

Adriano Goldschmied was born in Trieste, Italy, in 1944 and passed away early April 2026.
He was the creator of the legendary Genius Group, which he founded, along with numerous other brands, such as Diesel, Replay, AG Adriano Goldschmied, just to name a few.
He traveled between the continents and was at the forefront of the L.A. premium denim movement, constantly experimenting with innovative materials, washings and finishings.
Not only was he one of the greatest jeans designers of all time, but he was creative in every detail, personally down to earth, gentle and had a cool personality.
We all will miss him. His legacy is huge and will be remembered for decades and generations to come.
Rest in peace, old friend.
Klaus Vogel

Fashion in 2026 is defined by precision rather than expansion. This issue of WeAr Global Magazine analyses how brands, retailers, and buyers are repositioning in a market that rewards clarity, discipline, and distinct identity.

WeAr #86 focuses on structural change across couture, retail, and contemporary fashion, highlighting how positioning and execution now outweigh scale.

Executive Summary

The industry is shifting from growth-driven expansion to precision-led positioning. Brands are refining identity, retail environments are becoming experiential, and couture is reasserting cultural relevance within a content-driven economy.

Across all segments, success depends on clarity of positioning, disciplined assortments, and differentiated brand narratives.

Key Topics in This Issue

• Structural reset in global fashion: from expansion to disciplined positioning
• Couture as content: spectacle vs. craftsmanship in S/S 2026
• Womenswear trend report: Bubbling Up
• Menswear trend report: Precise Chaos
• Retail transformation: from point of sale to immersive environments
• Technology impact: AI, virtual fitting, and 3D retail integration
• Material shift: natural fibres and quality as strategic decisions
• Storebook: international retail concepts across key global cities

Market Insight

The market is moving away from volume-led strategies toward precision-led execution. Buyers are more selective, collections are tighter, and brand identity has become the primary differentiator.

Retail is no longer transactional. It is increasingly designed as a space for engagement, storytelling, and cultural positioning.

Couture is evolving into a communication system rather than a closed craftsmanship category, operating within a digital-first visibility economy.

Brand Index – WeAr Global #86

The following brands are featured in this issue. The selection reflects the editorial focus on precision positioning, refined distribution strategies, and the evolving relationship between craft, retail, and visibility.

Get issue 86 in print & digital here

The Jeanius Hub section is expanding its footprint at the April 15-16 Kingpins Amsterdam show at SugarFactory. Launched last year as a destination for discovering new innovations, the second-floor section will feature a mix of returning companies and first-time exhibitors.

“Across every stage of the supply chain — from fiber and dyeing to finishing, circularity, and digital design — there are new developments reinventing how denim is made,” said Vivian Wang, CEO of Kingpins. “Jeanius Hub is our way of bringing the whole community into that conversation, so people can see what’s happening, connect with innovators, and be part of building where denim goes from here.”

The 10 companies showing in Jeanius Hub include:

LAB Denim, a biotech company reinventing denim production with indigo-free dyeing and bio-based finishing.

WOPTAG, a Denmark-based digital design and supply chain platform for the denim industry.

NORDShield, which developed bio-based anti-odor and antimicrobial textile treatments that replace traditional metal-based solutions.

Around Systems, a Norway-based company that builds infrastructure for textile circularity through digital planning, product identification (RFID), and automated disassembly systems.

Circulose,the textile-to-textile recycling company that transforms cotton-rich waste garments into CIRCULOSE®, a dissolving pulp used to produce regenerated fibers like viscose and lyocell to use as an alternative to virgin cotton or petrochemical materials.

CleanKore & HMS, working together on a pilot program to combine CleanKore’s patented low-impact yarn dyeing technology with HMS’s sludge-free washing and finishing process.

Pinter Group, the Spanish maker of textile spinning machinery.

Chloris, a biotech color company that developed Claessen Blue™, the world’s first bio-based blue dye produced through scalable fermentation technology.

Royo,the Spanish textile manufacturer with 120 years of history and a strong sustainability track record.

Recover™, a leading materials science company producing high-quality recycled cotton fiber at scale.

YKK Corporation has launched YZiP® Light, a lightweight aluminum alloy zipper for cotton pants, with sales beginning in late March. The introduction of YZiP® Light expands YKK’s zipper portfolio—led by the flagship YZiP® copper alloy zipper—providing customers with greater flexibility to meet diverse garment needs.

YZiP® Light delivers a weight reduction of approximately 50%*1 in comparison to the YZiP® copper alloy zipper for jeans. At the same time, sliding resistance has been reduced by approximately 15%*2, and lateral pull strength has been improved by approximately 26%*3 compared to a conventional aluminum alloy zipper. This enables YKK to offer a zipper optimized for cotton pants and similar garments with a fabric thickness of 0.6 millimeters or less that do not require washing processes.

The pressed aluminum slider used by YZiP® Light incorporates YKK’s proprietary molding technology, which enables press processing of aluminum—previously considered difficult due to the material’s inherent properties. It also achieves the same appearance and functionality as the semi-automatic slider used in the copper alloy YZiP® zipper.

Furthermore, with the establishment of coloring technology for aluminum elements, YKK plans to expand its selection of color variations beyond the conventional silver and antique silver to include new options, such as gold and antique gold.

This product is a NATULON® zipper that uses recycled material for the tape. Approximately 25% of the cut zipper (15 centimeters) is made from recycled materials by weight.

Comment from Terry Tsukumo, Senior Vice President, Product Strategy Division, Global Sales Headquarters, YKK Corporation: YZiP®, which we developed in 1966, has been beloved by customers all over the world as a zipper for jeans for many years, and is one of the products which has played an important role in YKK’s development into a top global zipper brand. For our newly launched YZiP® Light, we brought together YKK’s technological capability to meet the demands for lightness and maneuverability required by zippers for cotton pants. Through the development of the pressed aluminum slider, YZiP® Light has overcome conventional challenges and achieved a balance of lightweight construction, functionality, and aesthetic appeal. In addition, we are contributing to sustainable manufacturing by promoting the use of the NATULON® zipper–which features tape made from recycled material, while also considering how to reduce our environmental impact. YKK will continue to align with market needs and the values that society demands and promote product development aimed at even greater functional improvements.

AWWG, the global fashion group behind Pepe Jeans London, Hackett London, and Façonnable, today announced that its Board of Directors has appointed Laura Fernandez Plaza, currently Chief Financial & Business Officer, as CEO.

This appointment follows several years of close collaboration between current CEO Marcella Wartenbergh, Laura, and the broader Executive Team in shaping and executing the Group’s strategic roadmap, ensuring strong continuity across AWWG’s brands, teams, and long-term vision.

Laura will assume her new role effective immediately. She and Marcella will work closely together over the coming weeks to ensure a smooth transition.

“I am honoured to step into the CEO role at such an important moment for AWWG,” said Laura. “Over the past years, we have built a strong and differentiated platform across all our portfolio brands, operational excellence, digitalisation, and culture. I see a significant opportunity ahead and look forward to working closely with our teams to build on this momentum as we enter our next phase of growth.”

Laura brings nearly two decades of deep institutional knowledge to the role. Since joining the group in 2006, she has held several key leadership positions, including Chief Transformation Officer and Chief Finance Director, before serving as Chief Financial & Business Officer for the last 6 years. Throughout this time, she has worked closely with Marcella and the Executive.

Since joining AWWG seven years ago, Marcella has led a comprehensive transformation of the business, redefining the Group’s strategic direction, building the platform and strengthening its foundations across all the business. In 2020, she launched the RESET strategic transformation program, establishing the Group’s five strategic priorities—Product, Brand, Distribution, Digitalisation, and People—which have since guided AWWG’s evolution into a more focused, disciplined, and globally scalable platform. Under her leadership, the Group has significantly enhanced its operational capabilities, reinforced its infrastructure, and fostered a strong corporate culture—positioning AWWG for sustainable long-term growth.

Reflecting on this transition, Marcella said: “Leading AWWG over the past seven years has been an incredibly rewarding journey. I am proud of the transformation we have delivered together with Laura and the broader Executive Team, building a strong platform. I believe the Group is now well-positioned for its next phase of growth. This is the right moment to hand over the business to Laura, who has been my key partner in this journey and is ideally placed to lead the business forward. I look forward to supporting her over the coming weeks to ensure a smooth and successful transition.”

DRESSLER is continuing to expand its presence in retail and is opening a pop-up space at MODEWAGENER in Baden-Baden. Through this collaboration with its long-standing retail partner, DRESSLER has created another space and pop-up concept for inspiring shopping experiences at the point of sale.

Complemented by an 8-meter-long window display, the 15 sqm pop-up area runs on the menswear floor of MODEWAGENER, Lange Str. 25, Baden-Baden, until April 14. DRESSLER is presenting its new DRESSLER world, featuring styles and coordinated total looks from the Spring/Summer 2026 collection.

The focus is on colour and summery materials such as lyocell and linen, as well as the new DRESSLER Traveller program, the expanded outerwear range, and the new leather capsule.

GUESS JEANS and Borussia Dortmund have unveiled a new limited-edition capsule collection created in partnership with the club, translating the team’s sporting energy into contemporary denim fashion. The collection, developed with Nicolai Marciano, brings the brand’s signature “denim lifestyle” from the pitch directly into fans’ wardrobes.

The collaboration builds on a partnership first announced in Summer 2025, which connects street culture, football heritage and authentic style. The latest capsule marks the next step in that relationship, blending Borussia Dortmund’s iconic black-and-yellow identity with the Californian denim DNA and premium craftsmanship of GUESS JEANS.

Nicolai Marciano, Chief New Business Development Officer at GUESS, said the aim was to reinterpret the club’s energy through the brand’s design language.

“With this collection, our goal was to translate the energy of Borussia Dortmund into our design language. Denim and football share a common foundation: both are honest, authentic and bring people together. We wanted to create looks that don’t feel like traditional merchandise but instead function as a fashion statement—whether in the stadium or in everyday life. This capsule is our homage to the modern fan lifestyle.”

The capsule collection includes premium T-shirts, sweatshirts, hoodies, bomber jackets and classic denim pieces such as jackets, jeans and shirts. Each item features subtle BVB-inspired motifs and lettering, while caps with the club’s logo complete the lineup.

The accompanying campaign places denim at the heart of Dortmund’s football culture. Visuals follow familiar matchday routes through local streets and pubs, highlighting how denim has evolved from a symbol of loyalty into an expression of individuality and identity.

The campaign stars real Dortmund supporters—local fans whose personal connections to the club bring the collection to life and link the GUESS JEANS design vision with the city’s football energy.

From March 4–6, 2026, the ninth edition of Texhibition took place at the Istanbul Expo Center, once again placing Turkey—the world’s fifth-largest textile exporter—at the center of global sourcing.

Across 42,850 m², more than 500 exhibitors presented their collections and met around 25,000 international buyers from Europe, the United States, North Africa, and the Middle East. Attendance remained strong despite the conflict around Iran, which prevented some visitors and exhibitors—particularly from the Gulf region and the U.S.—from attending.

As always, the fair showcased a comprehensive product range, from woven and knitted fabrics to yarns, accessories, printing, and embroidery. This was complemented by forward-looking concept areas such as Blue Black Denim – Denim Rewritten, the Innovation Hub, the Trend Area, and the ReValue Stock Hub.

The Blue Black Denim area was a highlight. Prefabricated stands made from scaffolding pipes, separated by jute fabrics, created a setting that suited the denim theme perfectly. A DJ area, food and drinks, and a number of interesting innovations in the denim segment contributed to the atmosphere.

One of the key trends was “Rigid”—the essence of authentic denim. Interestingly, this is currently in strong demand among women, while men increasingly prefer more comfortable denim blends with stretch, explained Vakur Besim Özek, Strategy and Business Development at BOSSA.

Özek, who also helped establish the denim exhibition as a board member, reflects as a person the genuin denim enthusiasm that is reflected in the experitse at BOSSA as well as in the professional development of this denim platform.

Noteworthy innovations were also presented by ISKO, where, alongside rigid denim, the Comfort Series attracted strong interest. TUSA also saw heavy traffic at its stand, presenting notable innovations such as denim fabrics in striking colors.

For internationally operating companies, Istanbul remains a must. Buyers from Asia, Russia, the Gulf states, Europe, and the United States meet here—something that reflects not only the strength of the fair but also Turkey’s geopolitical position and its continuing importance within the global textile industry.